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Concert May 11, 2013: World Premieres

We are holding our final concert of the season on Saturday, May 11, 2013 at Salle Pianos (1632 C Market St) in Hayes Valley in San Francisco at 8 pm. We will be performing five world premieres by young and emerging composers from all over the world: Julian Day, Ruben Naeff, Jonathan Russell, Jeffrey Treviño, and Dan VanHassel. Tickets will be available at the door, prices are $25 ($15 for students). Wine and desserts from La Boulange Bakery included in ticket price.


Jeffrey Treviño: The World All Around (2013) for piano, harp, and clarinet

Dan VanHassel: Incite (2013) for electric guitar and piano

Julian Day: Father (2013) for clarinet, electric guitar, piano, violin, cello, and percussion

Ruben Naeff: Euphoria (2013) for flute, clarinet, harp, electric guitar, piano, violin, cello, and percussion

Jonathan Russell: Lament and Frippery (2013) for clarinet, harp, piano, violin, and cello

Julian Day ::


Julian Day is a composer and sound artist based in Sydney, Australia. Described as “an epic and intimate formalist”, he creates evocative works through simple yet often lateral means. His work inhabits a lush and frequently dark world of slowed down sounds, broken patterns and basic geometries, influenced by conceptual art, cracked media and pop culture. Recent works include Ascent for 100 flutes, Totem for skipping CDs and Ceremony for multiple spatialized synthesizers. Much of his work is site-specific and collaborative, taking place in spaces as varied as railway sheds, former meat markets and even on New York’s Central Park lake.

Day has worked with Lisa Moore and Mark Stewart (Bang On A Can All Stars), TILT Brass, Mark Dancigers (NOW Ensemble), David Longstreth (Dirty Projectors), ExhAUST and DuoSolo. His work has featured at New York’s MATA festival, Massachusetts Museum of Contemporary Art, ISCM World New Music Days, Whitechapel Gallery (London), Het Nutshuis (The Hague), Liquid Architecture Festival and Perth Institute of Contemporary Art. He directs the keyboard ensemble An Infinity Room (A.I.R) and co-directs Super Critical Mass, a large-scale performance project for massed identical instruments.

Day studied at the Queensland Conservatorium and Sydney College of the Arts, undertaking lessons and masterclasses with Louis Andriessen, Martin Bresnick, Michael Gordon, David Lang and Julia Wolfe among others. He won the British Council’s Realize Your Dream Award and The Australian Voices Young Composer of the Year. Julian is also a writer and new music broadcaster, having appeared on BBC Radio 3 and ABC Classic FM. His interviewees include Steve Reich, Philip Glass, Pauline Oliveros, Christian Wolff, Terry Riley, Laurie Anderson and John Cale.

Ruben Naeff ::


Educated in both mathematics and music and recently employed as an economist, Dutch composer Ruben Naeff (1981) finds himself in an attempt to comprehend the world and set it to music.  His broad interest led to many interdisciplinary pieces like De Bètacanon (about the hard sciences), The Dancing Dollar (about the current financial crisis), and the YouOpera (about our lives online). Currently, he is a recipient of the HSP Huygens Talent Scholarship from the Dutch government to study composition with Michael Gordon in a master’s program at New York University.

Ruben has collaborated with numerous people and organizations from a wide range of disciplines, reaching from national newspaper de Volkskrant to the debate & fine arts festival happyChaos. He is co-founder of the West 4th New Music Collective, which promotes the work of emerging composers in New York. He has written for renowned ensembles as the Deviant Septet, JACK Quartet, Vigil Ensemble, Cadillac Moon Ensemble, the Los Angeles based duo Meyerson & Valitutto, and the Dutch Erasmus Kamerkoor and Quatre Bouches, and for festivals as the Bang on a Can Summer Festival, Music11, and the UNL Chamber Music Institute. His music has been performed in the Netherlands, Belgium, Switzerland, Latvia, and various states across the USA (NY, CA, MA, CT, TX, NE). He has joined forces with such public figures as NRC Handelsblad economics editor Maarten Schinkel, scientists and (former) presidents of the Royal Dutch Academy of Sciences Robbert Dijkgraaf and Frits van Oostrom, and the Dutch Fokke & Sukke cartoonist Jean-Marc van Tol.

Jeffrey Treviño ::


Jeff Treviño’s recent projects include a one-act musical theater adaptation of Anthony Ha’s award-winning science-fiction story, Orbiting, a set of solo percussion frames for recordings of Alice Notley reading her poems, four two-minute duos for for a two-seat theatre in the Hammer Museum’s coat closet, a series of abstract animations for Golden Parachutes gallery’s Total Vivid Presence, and a year-long series of fluxus performances with his Berlin-based ensemble, the Institute for Intermediate Studies. Notable mentors include Mark Applebaum, Brian Ferneyhough, Max Mathews, Rand Steiger, Miller Puckette, Tom Erbe, Walter Zimmermann, Pauline Oliveros, Beat Furrer, Helmut Lachenmann, Chaya Czernowin, and Steven Takasugi.

Treviño has received commissions from the University of California at Berkeley Graduate Program in Media Studies, the University of Southern California’s School of Cinematic Arts, the Center for the Interdisciplinary Study of Music at the University of California at Santa Barbara, bass clarinetist Anthony Burr, percussionist Ross Karre, pianist Rei Nakamura, contrabassist James Ilgenfritz, violinist Batya MacAdam-Somer, and the Arditti String Quartet, with notable premieres at the International Computer Music Conference (Miami, 2004, and New Orleans, 2006), the Oberlin Conservatory Percussion Institute (2006), New York City’s Symphony Space, Germany’s Akademie Schloss Solitude Summer Residencies, South Korea’s Seoul International Computer Music Festival (2007), Mexico’s Visiones Sonoras (2007), SIGGRAPH (2007), the International Conference of the Society for Improvised Music (Chicago, 2007), the Freiburg Hochschule für Musik, June in Buffalo (2008), Portugal’s Vila Real Conservatory, New York City’s Miguel Abreu Gallery, the Carlsbad Music Festival (2008), Freiburg im Breisgau’s E-Werk (2009), and Berlin’s Hanns Eisler Akademie (2009).

An accomplished pianist and tubist, Treviño has performed in world class venues such as Carnegie Hall, Walt Disney Concert Hall, the Sheldonian Theatre, and the Sydney Opera House. He is currently studying John Cage’s Sonatas and Interludes for prepared piano with pianist Aleck Karis.

Treviño researches the ways composers think when they write computer programs, and his doctoral work at the University of California at San Diego is supported by the university’s San Diego Fellowship, the Woodrow Wilson Foundation, the Andrew W. Mellon Foundation, and the university’s Center for Latin-American Studies.

Jonathan Russell ::


Jonathan Russell is a composer, clarinetist, conductor, and educator who is active in a wide variety of music, from classical to experimental to klezmer to church music. Especially known for his innovative bass clarinet and clarinet ensemble compositions, his works for bass clarinet duo, bass clarinet quartet, bass clarinet soloists, and clarinet ensembles have been performed around the world and are radically expanding the technical and stylistic possibilities of these genres. He has received commissions from ensembles such as the San Francisco Symphony, Empyrean Ensemble, ADORNO Ensemble, Classical Revolution, Woodstock Chamber Orchestra, Harvard-Radcliffe Orchestra, Imani Winds, and DZ4, and performances from numerous other ensembles and performers, including the Berkeley Symphony, San Francisco Composers Chamber Orchestra, the BluePrint Project, the Great Noise Ensemble, the new music bands FIREWORKS, Capital M, and Oogog, pianist-percussionist Danny Holt, and pianists Sarah Cahill, Lisa Moore, Lara Downes, and Matthew McCright. Upcoming projects include compositions for So Percussion, the guitar-percussion duo The Living Earth Show, the new music ensemble REDSHIFT, and a new Bass Clarinet Concerto commissioned by the Bass Clarinet Commissioning Collective. His works are published by Potenza Music and BCP Music, and have been commercially recorded by the Sqwonk bass clarinet duo and pianist Jeffrey Jacob.

An avid performer on clarinet and bass clarinet, Jonathan is a member of the heavy metal-inspired Edmund Welles bass clarinet quartet and the Sqwonk bass clarinet duo, which has commissioned numerous new works and released two CDs of new American bass clarinet duets. He has also music directed two dance productions with choreographers Janice Garrett and Charles Moulton, and is co-director of the Switchboard Music Festival, an annual eight-hour marathon concert that brings together the San Francisco Bay Area’s most creative and innovative composers and performers. He has served on the Music Theory Faculty at San Francisco Conservatory and on the Composition Faculty at the Conservatory’s Adult Extension and Preparatory Divisions. He has a B.A. in Music from Harvard University and an M.M. in Music Composition from the San Francisco Conservatory of Music. His composition teachers have included Paul Lansky, Dmitri Tymoczko, Dan Becker, Elinor Armer, Eric Sawyer, John Stewart, and Eric Ewazen. He is currently a student in the Composition PhD program at Princeton University.

Dan VanHassel ::


Dan VanHassel is a composer and multi-instrumentalist based in the San Francisco Bay Area. His music has been performed across North America, Europe, and Asia by performers such as pianists Keith Kirchoff and Gloria Cheng, Dinosaur Annex, Red Fish Blue Fish, Ensemble SurPlus, saxophonist Michael Straus, and bassoonist Dana Jessen. Active as a performer, Dan draws influence from his experience performing in rock bands, Javanese and Balinese gamelan, free jazz groups, and chamber ensembles. Dan is co-director of the Wild Rumpus new music ensemble in San Francisco and was a founding member of the new music ensemble Agenda, the free-improv group Output, and the Embryonic Noise new music series in Boston. He has studied composition at Carnegie Mellon University, the New England Conservatory, and the University of California at Berkeley.

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